Tuesday, 19 February 2013

Special 26








Special Chabbis

Story of Five Striding Conmen Who Steal the Show!

Review By - Lt Col D Purushothaman Pillay (Retd)

An absolutely riveting heist film set in the 80s, inspired by the famous Opera House, Tribhuvandas Bhimji Zaveri, daylight robbery on 19 March 1987, in Bombay by a group of 26 people (they make up the 'Special 26' in the titular reference) posing as CBI sleuths, this Neeraj Pandey film is an absolute entertainer.

The plot opens to a scene dated 18 March 1987, where two conmen P K Sharma alias Sharmaji (Anupam Kher) and Ajay Singh alias Ajju (Akshay Kumar) posing as CBI Officers conduct a walk-in recruitment interview, before going into flashback. The excitement starts in New Delhi, with Ajay Singh purportedly from the CBI, making a phone call, asking for manpower assistance for a secret raid, from the Tughlak Road, Police Station where SI Ranveer Singh (Jimmy Shergill) agrees, only to be told to drive to a rendezvous to know where the actual raid would be conducted. Ajay then proceeds with his accomplices P K Sharma, Iqbal (Kishore Kadam) and Joginder (Rajesh Sharma) to the tryst, to marry up with the Police team, wherefrom they proceed to raid a corrupt Minister's residence. As anticipated, loads of cash and valuables were found, hidden in every imaginable crevice, including the Pooja room, in this sprawling mansion. They drive away with a mini-van load of loot. Here it is revealed that Ajay and his accomplices were a fake CBI team. The quartet then merge into the crowds to quickly disperse, by all manner of transportation, to their respective residences, scattered across the country at Jaipur, Chandigarh and Mumbai. The next morning expectedly nothing was reported in the press. This team had specialized in conducting raids only on people who have amassed ill-gotten wealth and therefore would never report their losses to the law enforcement.

Ranveer with his senior officer then meet the raided minister, who refuses to lodge any official complaint regarding the false raid, to save himself from being reduced to a laughing stock in his constituency, he however ensures that Ranveer and his colleague Shanti (Divya Dutta) are suspended for their irresponsibility. It is here we are introduced to Mr Tough Guy, the real CBI officer Wasim Khan (Manoj Bajpai). The disgraced Ranveer wants revenge and joins hands with Khan to go after the criminal quartet. The rest of the plot carries us through the Burra Bazar, Income Tax Raid in Kolkata by Ajay and gang, which finally gets reported only on the insistence of Khan, with an aim to spread panic in the minds of the conmen. It does serve to inspire the team to go for one final "Big Raid" which is also the climax of the movie. To carry the story to its climax, the CBI with the help of Ranveer mysteriously stumbles upon the criminal records of Sharmaji and immediately taps into his phone conversations with Ajay to manage to get some vital clues regarding the final heist in Bombay. They then do everything they can, to foil this raid. For the sake of keeping the suspense alive, and the fun of the movie intact, suffice it to say, the unexpected twist in the end, takes this movie to an altogether different high. It has to be seen, to be discovered.

I did feel this film, in which the two female characters, played by Kajal and Divya had precious little to do, had its small share of shortcomings. They definitely could have scripted a better way to ease their foot off the pedal once in a while, than for instance rely on the unnecessary romantic angle, which was tedious, unconvincing and a total waste of time. Except for the freshly bathed Priya Chavan's (Kajal Aggarwal) tulsi-watering introductory scene where she looked stunningly angelic, there was no sizzle in her chemistry with Akshay, to salvage something out of this love story. It however superfluously added to the 143 minute length of this movie, so did the long Manoj Bajpai introductory scooter chase through CP and the whole Chandigarh trip ending in the pre-nuptial song for Sharmaji's daughter's wedding. I do have another intriguing question for Mr Pandey, Sharmaji confesses to 49 raids, and we know how much is collected in such hit-and-run seizures, but then all the conmen seem to still survive in apparent penury, despite the obvious prosperity they must be sitting on, where does all the money from the raids go? Sadly, this film also won’t be remembered much for its melody, as the audience is too rapt and caught up in the relentless drama.

Though, definitely not in the league of his earlier 2008 debut film 'A Wednesday', this Neeraj Pandey effort is still very 'Special'. However, what I distinctly remember rather curiously is that, for almost half the length of this two and a half hour movie, there is always this constant striding towards the camera, to the accompaniment of some rousing background score, by the various characters, maybe it was the Director's deliberate ploy to enthrall, by implying intense movement and an overwhelming pace. I wonder, if others also felt that it was, at times, a bit overdone.



The star of the show, for me was undoubtedly the thespian Anupam Kher. He was brilliant; I shall remember a few scenes for a very long time, like his reaction in muted shock, at the Kolkata Airport while reading a newspaper which reported their raid. Another memorable sequence was when he was confronted by Manoj and Jimmy at the hotel room the night before the final raid, his range of expressions in utter surrender, during this encounter was amazing.

Akshay's performance, in comparison was a very measured one, fortunately the two AKs (Akshay K & Anupam K) instead of competing with each other, brilliantly complemented each other, this was a highlight of this film. Ajay did provide some great moments too. The presence of mind shown in changing the raid location in Burra Bazar, Kolkata, as also the audacity of getting help from the other group of raiders, to load the cars, post that raid was hilarious. His motivational speech to the successful candidates after the interview, towards the end, was something that even Sharmaji said, made him forget for a moment that he was a crook.

Manoj with his furrowed brow, has a frown permanently etched on his face, which did not help in bringing out the range of histrionics he is normally capable of, as there is only so much one can do with one's eyes alone. Having said that, his was an important and competent performance, which carried the story with its tautness intact.

Neeraj Pandey has rationally scripted and skillfully directed this period thriller. The meticulous and flawless manner in which the late 80s Delhi, Kolkata and Mumbai were recreated, was no mean achievement and needs to be applauded. Cinematographer Bobby Singh has done a great job in canning the 80s for us. The attention to detail, with regard to reconstructing a bygone era, be it in the advertisements of the time, the old Ambassadors, Fiats and Marutis with the odd Lambretta scooter, the magazines, currency notes, dial phones etc, was unimpeachable. Also the interview snippets of all the various candidates and their absurd moronic responses was very entertaining.




There were more than twenty six reasons for me to like this film, I felt thoroughly entertained at the end of the two and half hour Delhi to Dubai journey of the primary conmen. Go see it; you will definitely enjoy ‘SPECIAL 26’, especially the surprise end!


Thursday, 10 January 2013

Student Of The Year



Student Of The Year

Quick Review By - Lt Col D Purushothaman Pillay (Retd)

I did not have much to write about this film, so am including my brief impressions I had posted on my Facebook page. Karan Johar's Student Of The Year is in my view an unapologetic inaneness set in an Utopian chic campus that is a vacuous candyfloss which yielded me but one gem at the end of the 2 hour+ brainless ride - Varun Dhawan..I shall look out for what he would do in the future..End of the day, Hmmm! No regrets, just an inexplicable empty abandon lingers as one strolls out of the theater  coupled with that familiar feeling of "I knew all along this is what I would get". Enjoy, if you have nothing better to do.



Barfi



BARFI

Quick Review By - Lt Col D Purushtohtman Pillay (Retd)

The simple story of discovery during the journey of life, of the nuances of love by two challenged and one normal young soul, that defies societal definitions and physical afflictions, set in a misty Darjeeling.

A good story, but horribly confusing screenplay; salvaged only by the excellent performance of the lead pair. Despite its length and many flaws; primarily due to the story being told through multiple perspectives, it is in the end, an unusual, yet nice love triangle that elicits many heart-warming laughs because of the simple situations and innocence of the protagonists. A different viewing experience from the run of the mill fare that is being churned out by Bollywood of late. One leaves the cinema happy that true love needs no words and will always find its way. A big round of applause for Ranbir & Priyanka, Illeana did her bit very creditably. Must be complimented for its positive portrayal of the differently abled. See it one wont regret it.



Jab Tak Hain Jaan




Jab Tak Hain Jaan 

Quick Review By Lt Col D Purushothaman Pillay (Retd)


For the diehard romantic three hours might not be too long, if one is not looking for realism and a coherent story. The plot as it unfolds, at oft-times flirts with the 'ridiculous', victim of being overwritten in portions. For samplers - How does a London returned 25+ rustic Punjabi waiter, transform into bomb disposal genius Army Major? But when a master craftsman is casting his spell one has no choice but to waive it as acceptable cinematic liberty. In any case one goes to a YRF to get seduced & mesmerised by 'LOVE'. On that count there is no compromise; he is absolutely on top of his game - Yashji's magic works like a charm & sadly we will be missing it from now on.
All the elements of a typical YRF viz; emotions/locales/ensemble cast/tug at the heart strings etc are present in dollopsful. Notably the songs however didnt really enthuse me as much as it used to in the past, mind you his last Veer Zara is still on my favourite playlists even after so many years.
SRK is looking fresh and young & gets to competently play many roles and turns out a charming performance, Katrina looks beautiful through the movie & a club sequence brought out the liberated dancer in her like never before, to me the bonus surprise packet was the effervescent Anushka. It is certainly a good watch; however one doesn't need to be in any tearing hurry if tickets are hard to come by in the opening week; you can wait to watch it after the initial euphoria; this potboiler should endure for a bit at the box office; notwithstanding competition from Ajay's SOS and later Aamir's Talaash. I liked what I got to see, hence recommend a watch; there is beauty, energy, appeal & an unmistakable magic in the way the three core performances were stitched together. Thank you Yashji!





1212

Talaash






Aamir Khan's 
Talaash - The Answer Lies Within

Review By Lt Col D Purushothaman Pillay (Retd)

Is a well crafted story of a guilt ridden cop's journey to redemption in the course of investigating a complicated murder mystery.
Noir-like Talaash, set in the crime-ridden underbelly of Mumbai, is certainly not the ultimate whodunit. Yet it is a compelling, well-performed tale that is multi-layered in its construct. On the primary level it is about the central protagonist battling grief and personal tragedy, yet on another level it is an engaging study of human relationships tested on the belief in the paranormal. Whispered gossip has it that this film has some similarities with an American crime thriller "Act of Providence", a novella written by Joseph Payne Brennan and Donald M Grant in 1975, with the story set in Rhode Island. Infact both the respective protagonists are investigators battling grave personal crisis at the time of investigating a crime involving a water body.
The mustachioed brooding Aamir with a permanent furrowed brow on a troubled face represses his emotions rather remarkably. It is rumoured his character draws heavily from Leonardo DiCaprio's Teddy Daniels of Scorsese's "Shutter Island", though that should not take away from his remarkable essay. The scene towards the end when he has an angst-releasing breakdown; by the lakeside, on reading the note purported to be from his son exonerating him from any guilt was brilliant, it is worth going miles to see that one scene.
Rani as the troubled wife and Kareena as the hooker deliver admirable performances. But then, Nawazuddin Siddiqui as the limping brothel-flunkey Taimur is absolutely terrific.
Mohanan's cinematography leaves one raptly engrossed and one can barely blink lest one should miss what is on screen.
Ram Sampath's ambivalent soundtrack with is multi-themed zesty renditions gets one seduced to its intense techno beat compositions drawing heavily on electronic sounds for its layering of moods. Javed Akhtar's lyrics are as good as it always was. Further, Kagti's unique hold on her craft ensures every song in the drama is perfect where it is placed, and serves to carry the suspense forward.





The Zoya-Reema team has served up yet another delectable fare, and it confirms this twosome as a formidable storytelling talent which would continue to engage and entertain us for a long time to come
You can’t miss this one. I quite liked it. Go for it!